Class 1/7 — April 25th 2013 —
The assignment was kicked of with a keynote introduction in which I explained the importance of putting in the time to make sketching second nature and how a distinction between an exploration and a communication mode may help you in the development of your skill.
We then took a baseline measurement of your sketching skills by spending 15 minutes on the following exercise: sketch a scene of two people networking at a TEDx-event. The most preferred materials to work with where (not surprisingly) a grey graphite pencil and an eraser.
Most of you found this exercise very hard. We discussed the results and noticed the differences in terms of perspective, contrast, style, etc. I’d say there’s room for some improvement for everyone!
The sketch in the previous exercise took about 15 minutes. The sketch battle is an exercise that will force you to sketch very quickly without worrying about the quality of the sketch. You have to respond immediately to a series of problems presented to you . You do this by sketching your ideas in such a way that your opponent quickly understands your intentions. The sketch battle is a good example of the exploration mode.
An example of a sketch battle can be found here.
This exercise demonstrates the importance of choosing the sketch mode that supports the primary goal of the work session. For efficient development of ideas within a creative process you should use the exploration mode. To explain and sell your (best) idea(s) to others you should switch to the communication mode.
You battled twice in pairs using highly efficient sketching techniques: simple, small and using only one medium (black felt-tip pen). The results were copied so each one of you could finish the page individually in the communication mode.
As demonstrated in class, you can introduce contrast and add text, arrows and frames to the most interesting actions (ideas) to create a powerful presentation from a page that previously looked like a chaotic mess.
Instead of adding color to the individual objects it is more effective to start with a background. Make sure to use the same (light) color in every sketch and apply the marker in a loose way leaving enough white space for the sketches to ‘breathe’. Add more contrast by making the outline of the objects heavier. Careful not to overdo the width of the outline in respect to the size of the sketch. The outline is (solely) the line that separates the foreground from the background.
Remember that you are trying to communicate something. Therefor you will need to reduce the chaos (noise) and bring tranquility to the page. Try not to use too many different colors. Stick with one light background color and use grey for shading.
Frames can be used to group individual actions and make them part of the same story.
Include a title to inform your audience about what they are looking at.
Also take a look at the examples of the previous quartile.
To do for next week
Battle twice more over a subject of your own choice. Finalize the 2 pages by experimenting with the techniques covered in this class.
Collect and print (A4) several images of people as reference material for next class. Preferably the people should be performing an action and should be visible from head to toe.